The contributions include Arnold Victor Coonin, "Preface and Acknowledgments"; Debra Pincus, "Like a Good Shepherd": A Tribute to Sarah Blake McHam"; Amy R. Bloch, "Perspective and Narrative in the Jacob and Esau Panel of Lorenzo Ghiberti"s "Gates of Paradise"; David Boffa, "Sculptors" Signatures and the Construction of Identity in the Italian Renaissance"; Meghan Callahan, "Bronzino, Giambologna & Adriaen de Vries: Influence, Innovation and the "Paragone"; Arnold Victor Coonin, "The Spirit of Water": Reconsidering the "Putto Mictans" Sculpture in Renaissance Florence"; Kelley Helmstutler Di Dio, "From Medalist to Sculptor: Leone Leoni"s Bronze Bust of Charles V"; Phillip Earenfight, "Civitas Florenti[a]e": The New Jerusalem and the "Allegory of Divine Misericordia"; Gabriela Jasin, "God"s Oddities and Man"s Marvels: Two Sculptures of Medici Dwarfs"; Linda A. Koch, "Medici Continuity, Imperial Tradition and Florentine History: Piero de" Medici"s "Tabernacle of the Crucifix" at S. Miniato al Monte"; Heather R. Nolin, "A New Interpretation of Paolo Veronese"s "Saint Barnabas Healing the Sick"; Katherine Poole, "Medici Power and Tuscan Unity: The Cavalieri di Santo Stefano and Public Sculpture in Pisa and Livorno under Ferdinando I"; Lilian H. Zirpolo, "Embellishing the Queen"s Residence: Queen Christina of Sweden"s Patronage of Gian Lorenzo Bernini and Members of His Circle of Sculptors"; Sarah Blake McHam"s List of Publications. 1st printing. 338 pages. 117 illustrations. Preface, bibliography, index.