The prominent violinist did not part with his violin for more than sixty years, and indeed, he left numerous recordings made in studio and at concert to us. However, Oistrakhs studio work during his last years, when he was not that active as a concert performer, is particularly interesting, and his chamber programmes were viewed as true revelations. Oistrakh renders a songful and sunny world of Schubert duet and fantasia, and restrained emotions and hidden drama of Brahmss first sonata with an inimitable, unique intonation and nobility of tone. A sensitive listener might think that the music had waited for its performer for a century. In those years, Frida Bauer, a remarkable pianist and soloist of the Moscow Philharmonic Society, was the violinists ensemble partner. The recordings were made in 19701974.