Observing black imagery through a century of comics. This wide-ranging little book spotlights over 100 comics strips, comic books, and graphic novels to feature black characters from all over the world over the last century, and the result is a fascinating journey to, if not enlightenment, then at least away from the horrendous caricatures of yore. The book begins with the habitually appalling images of blacks as ignorant "coons" in the earliest syndicated strips (Happy Hooligan, Moon Mullins, and The Katzenjammer Kids); continues with the almost-quaint colonialist images of the suppressed Tintin album Tintin in the Congo and such ambiguous figures as Mandrake the Magician"s "noble savage" assistant Lothar in the "30s (not to mention Torchy Brown, the first syndicated black character), moving on to such oddities as the offensive Ebony character in Will Eisner"s otherwise classic The Spirit from the "40s and "50s. We then continue into the often earnest attempts at "60s integration in such strips as Peanuts (and comic books such as the Fantastic Four), as well as the first wave of "black strips" like Wee Pals, juxtaposed with the shocking satire of underground comics such as R. Crumb"s incendiary Angefood McSpade. Also investigated is the increased use of blacks in super-hero comic books such as Uncanny X-Men and Luke Cage, Hero for Hire, as well as syndicated strips like Friday Foster and Quincy in the "70s (to say nothing of Beetle Bailey"s controversial Lt. Flap). From Cartoon Coons to the Boondocks wraps up from the "80s to now, with the increased visibility of blacks, often in works actually produced by blacks, all the way to the South African strip Madam & Eve, Aaron McGruder"s pointed daily The Boondocks, and Ho Che Anderson"s Martin Luther King biography King. Each strip, comic, or graphic novel is spotlighted via a compact but instructive 200-word essay and a representative illustration. The book is augmented by a context-setting introduction, an extensive source list and bibliography, and a foreword by Charles R. Johnson, the recipient of a MacArthur Foundation fellowship and winner of the National Book Award for his 1990 novel Middle Passage (and a published cartoonist to boot!).