In the liner postcard to this 1994 tribute, Jonboy Langford calls Johnny Cash "the polar opposite of the cozy, safe, sexless, and bland that white America usually clutches to its all-purchasing, suffocating breast." That statement, in a nutshell, explains how and why a politically charged British punk rocker chooses to immerse himself in the wholly American music of the Man in Black. And on Misery Loves Company, Langford and friends prove how remarkably well Cash"s songs wear the honesty, simplicity, and directness of the punk mentality. Moods vary from ominous ("What Is Truth") and edgy ("I Got Stripes") to angry and bitter ("Busted") to wistful ("Sunday Morning Coming Down") to downright combustible ("Cocaine Blues"). Still, no matter how twisted the Tennessee Two"s twang gets, it"s always somewhere in all of these 14 cuts, although the reggae groove of "I Still Miss Someone" leaves it farthest behind. --Marc Greilsamer