Urna takes us on a wonderful dream-like journey during which we experience the extraordinary variability of her voice with its four-octave range, from the highest intensely clear pitches to the warm sometimes merely whispered pianissimo passages. After hearing a concept with Urna, Norbert Krampf wrote: "Rarely does a voice sound as diverse as a small orchestra; all the rarer are vocalists who keep their feet on the ground and do not get lost in artificial craftsmanship. Urna is one of these exceptions. The secret behind this charismatic musician is a charm imbued with Buddhist philosophy, a self-evident awareness of tradition and a wide range of melodies rooted in the Central Asian steppe yet almost surreal."