While it has become increasingly commonplace to speak of how history books omit the stories of people of color, rarely is the discussion broad enough to examine how these same omissions are replicated in institutions outside the academy. One such institution is the museum, particularly the history museum, which, much like a history book, is popularly perceived as a repository of truth. But as Mining the Museum, a book based on the award-winning collaboration between The Contemporary, The Maryland Historical Society, and installation artist Fred Wilson illustrates, museums are not neutral places.