This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated.1905 Excerpt: ... Woman"s Eyes "Where is any author in the world Teaches such beauty as a woman"s eye?" Love"s Labour"s Lost, act iv. sc. 3. POETIC imagery, in painting the varied beauties of the eye, has applied to them a host of graceful and charming similes, many of which illustrate the beliefs and fancies of our forefathers respecting these so-called "keys of the human face," or, as Shakespeare has described them, "windows of the heart." It has long been a disputed question as to what has been the recognised favourite colour of the eyes, the poets of all ages having laid much stress on the chameleon-like iris of the eye, which ever seems to vary in its green or bluish hue. Thus Homer speaks of Minerva as the "blue-eyed goddess," an epithet which has given rise to considerable comment, opinions having largely differed as to whether the poet meant this colour, or something between a green, blue, or grey. Green eyes are often mentioned in classic literature, and they found special favour with early French poets, who were extremely fond of speaking of them under the title of yeux vers--a taste which seems to have been generally prevalent on the Continent. The Spaniards considered this colour of the eye an emblem of beauty, and as such there is an amusing allusion to it in " Don Quixote ":--" But now I think of it, Sancho, thy description of her beauty was a little absurd in that particular of comparing her eyes to pearls. Sure, such eyes are more like those of a whiting, or a sea-bream, than those of a fair lady; and in my opinion Dulcinea"s eyes are rather like two verdant emeralds, veiled in with two celestial arches, which signify her eyebrows. Therefore, Sancho, you must take your pearls from her eyes, and apply them to her teeth, for I verily believe you mistake the one...