A highly experimental dub album that combines heavy reggae-influenced rhythms with Middle Eastern percussion, and the occasional striking female vocal (Honeychild). From Raz Mesinai, master dubber and percussionist, and one-half of Sub Dub. Bedouin Sound Clash was conceived and recorded in Raz"s basement studio with a four track cassette recorder and a multivox echo chamber. Although the record utilizes a new style of dub, it preserves an organic feel with reggae rhythms, analog sounds, and Egyptian and Bedouin percussion.