In fusing together transplants of Terminal and Goodbye Tomorrow, Alive In Wild Paint"s four members (frontman Travis Bryant, guitarist Matt Grabe, bassist David Roat, and drummer Austin Wilson) are certainly no strangers to the music industry. And while you might think this could grant carte blanche access to success in the biz, the band has faced plenty of adversity on the way to release their Equal Vision debut, Ceilings. Whether it be roster shuffles, release date backpedaling, or even van theft, the guys still seem to have somehow come out stronger on the other side. "We"re at a very good place, both musically and in our relationships with each other," says Roat. Through it all, the collective"s strong work ethic and perseverance has prevailed, as David reminds us all, "You have to look at the big picture though, and have faith that your hard work and creativity will have some reward in the end." So alas, while the turbulence leading up to the unveiling of Ceilings might lend itself to a natural sort of anger or bitter undertone in the band"s music, Alive In Wild Paint instead so coolly convey a disarming sort of tranquility. Centering around Bryant"s breathy, angelic croon, the band weaves together a set of calming expressions that are the perfect tonic to relieve the stresses of everyday life. Whether it be in the dancing pizzicato of the record"s title track, the subtle, minimalist instrumentation on "Traffic, or the haunting piano balladry of "Forecasting," Alive In Wild Paint skillfully prove they have a handle on the softer side of things. However, it is just as plain to see that the collective is far from a one-trick pony. Discussing the work as a whole, Roat explains, "Ceilings is a very diverse record, and I think that"s a big highlight of the album. It showcases our ability to demonstrate different sides of our songwriting." And this is exceedingly evident in kind - the lush drama of "Crystal Selves," the driving rock pulse of "Sleep With Your Soul In," the sweeping majesty of the re-imagined "A Vespertine Haunting," or a host of others. The end result is a record that is varied, yet cohesive - indeed the best of both worlds. * Produced by Mark Trombino (Jimmy Eat World, Mineral, Rilo Kiley) * Mixed by Michael Barbiero (Counting Crows, Maroon 5, Guns N Roses) * Features former members of Terminal (Tooth & Nail Records) and Goodbye Tomorrow (Equal Vision Records)