The titles are in some cases bluntly descriptive: the ambient drones of "Swell" loom and recede accordingly, and the guitar harmonics and bowed-strings of "The Film Box" are accompanied by the whirring of a film projector. "Four Basses," meanwhile, is exactly that, the interweaving parts layered in the methodical manner of Tubular Bells (albeit restricted to a more agreeable minute and a half). Others are less prosaic. "Loveless Road" is a delightful union of guitar arpeggios and wistful contrails of melodica driven along by a lazily martial snare, while the gorgeous "Sleeping Inside" employs yawning bowed bass and mournful clarinet to shade a multi-tracked guitar instrumental with a melody reminiscent of Leonard Cohen"s "Famous Blue Raincoat."