In the glory days of the Weimar Republic, the cheerful yet acerbic watercolor vignettes of the Berlin artist known as Dodo (Dörte Clara Wolff, 1907-1998) attained great popularity, becoming as iconic to their times as Jeanne Mammen"s illustrations for Ulk; after relocating to Zurich, she switched styles and embraced New Objectivity. This volume offers the first appraisal of her career.