Boris Iofan is best known as the architect behind the Palace of the Soviets. Yet his style was not limited to the ­Socialist ­Classicism that flourished under Stalin. Rather, Iofan’s archi­tectural language boldly evolved throughout his lifetime: from his eclectic beginnings in Rome, to the grandeur of the wedding-cake style in the 1930s, and finally, to his incorporation of concrete panels under the Khrushchev government. This book presents a collection of essays, photographs, floor plans, sketches, and drawings that chart the development of the archi­tect’s variegated career which spanned nearly six decades.