Eleodora (1887) and Las consecuencias (1889) conform a singular example within Mercedes Cabello de Carbonera"s (1842- 1909) literary production, Though the usual critique tend to consider both as the same novel, because they share the same plot, there are manifold reasons to differentiate them, including their respective placements in different stages of the author"s production. The former stands closer to the romantic drama, whilst the latter shows the marked naturalistic influence of the author"s latest novels. Eleodora and Las consecuencias may be regarded as a rewriting process, thus revealing the strategies used for constructing the new aesthetics: title change, new ending, the complexities of supporting characters, the scientific terms, the descriptions, etc. At her release Eleodora benefitted from Ricardo Palma"s support: it is him who endorsed and published it in the Ateneo de Lima. Cabello had based the plot on his A Mother"s Love tradition, and had dedicated him the novel....