Each of the seven tales that Michael Aronovitz brings together in his first collection of stories is a powerful, hard-hitting specimen of contemporary weird fiction. From "How Bria Died," which tells of a baleful entity lurking in the bowels of a placid-seeming high school, to "Quest for Sadness," with its searing analysis of an aberrant mind, to "The Legend of the Slither-Shifter," in which a babysitter discovers far more than she expected in an urban household, Aronovitz displays an enviable skill in the handling of supernatural conceptions. The capstone of the collection is a long novella, "Toll Booth," a richly complex tale of death and betrayal among teenagers. Michael Aronovitz is a new voice in horror fiction, but it is one that will be heard far and wide. "Seven Deadly Pleasures is a startlingly good collection. With the assuredness of a born storyteller, Aronovitz rips the bland surface off the everyday to reveal the rolling horrors that lie beneath. These stories are raw...