In 1964, at age forty, Marcel Broodthaers (1924-1976) proclaimed that his years of writing poetry of being "good for nothing," in his words were over, and a brief but dazzling artistic career began. Considered a founding father of institutional critique, Broodthaers created hundreds of objects, books, films, photographs and exhibitions, including a "fictive" museum of modern art that evolved from an installation in his own home to a massive exhibition of over three hundred works representing eagles. In The Absence of Work, Rachel Haidu argues that all of Broodthaers"s art is defined by its relationship to language. His perception of his poetry"s "failure to communicate" led him to explore in his art the noncommunicative, nontransparent uses of language. By showing us the ways in which language is instrumentalized across society used for its efficiency despite the complexities it introduces into communication Broodthaers shows us how we imagine language to work and points us to its...