SO TONIGHT THAT I MIGHT SEE sticks close to the ground staked out by its predecessor, though with no less success. "Wasted" moves insistently down the twelve-bar road to nuanced, snarling guitar embellishments. "Blue Light" is smoky, blue-eyed ... Full Description(if black-hearted) soul. Of particular note is the cover of Arthur Lee's "Five String Serenade," graced with lilting cello and tambourine accompaniment. Roback's electric/lysergic guitar explorations and Sandoval's blusey, lazily erotic sigh weave a deeply evocative spell, making SO TONIGHT a perfect 2:00AM album.