The theory of "montage" or editing, developed by early Soviet filmmakers, reached its deepest expression in the writings of Sergeii Eisenstein, undeniably the most profound theorist of film art. This book contains the clearest and most accessible introduction to his ideas about the cinema. Eisenstein, who directed "The Battleship Potemkin" and "Alexander Nevsky," was a master propagandist as well as a superb filmmaker. In this book, he argues passionately that these two crafts are closely related.